First Meeting: PRIESTESS OF THE NILE Weekend Snippet PNR Romance

I’ve decided to change up these weekly snippets and go through my backlist, sharing the first meeting between the two main characters in each book. I’m going roughly in the order of first publication. It’s always fun for me to revisit the books and I hope it will be for you too! Or if you’ve never happened to read a certain book, maybe I can entice you into giving it a try.

PRIESTESS OF THE NILE was my first ever published book, in 2012. Even better, I sent it to Carina Press in response to an open call and was later told they typically only acquired about 3% of the manuscripts that came in over the transom (versus through an agent). Three years later, after self publishing a number of books, I was able to leave the day job and become a full time author! No, not from sales of this little paranormal romance but it was the start…

The excerpt, on the shores of the Nile, near an abandoned temple, 1550 BCE. Sobek the Crocodile God has been drawn to the sound of a beautiful song and has taken his human form.:

“Don’t be frightened, please. I mean you no harm.” He held his hands up, palms out, and smiled. “I heard your singing and it drew me here. I only wanted to give my thanks for the concert.”

She laid one hand on her graceful throat, toying with an amulet on a thong. “You startled me.” Poised to bolt, the girl appeared wary, probably planning an attempt to run past him.

“I apologize.” He kicked off his sandals and waded into the water at an angle from her. The net drifted lazily in a whirlpool; he reached out and caught it, lifting the tangled strands from the river.

“Oh, don’t! You’ll ruin your fine kilt, sir.” She came to him hastily and took the net from his hands. “The river runs muddy at this time of the year. Your servants will labor in vain to get the stains out.”

He glanced at his waist. Oh yes, I did choose to wear the pleated white kilt of a nobleman. He followed her to the shore as she splashed through tiny waves with her net. “Fortunately, I have no servants to worry with such things.”

While putting his sandals on, Bek frowned at the Nile crocodiles lying deceptively immobile on the opposite bank, then glanced at her. “You take great risks, walking into the river with those beasts nearby.” One of the animals twitched. Bek glared at it. The creature met his eyes for a second, then settled onto the sand.

“Oh, I’m not afraid. I’m protected.” She was busy folding the net and packing it into a compartment in the lid of her fish creel. She didn’t even spare a moment to consider the predators across the water.

He coughed to cover his instinctive laugh. “Protected? And exactly how are you warded against attack?”

She stood briskly, raised her chin and tugged an amulet free of her dress to show him. It was a small green stone crocodile hanging on a frayed black leather thong. “My great-grandmother was the last priestess of the temple on the bluff above.”

He indicated the amulet. “May I see it?”

The girl unlooped the cord from her neck and handed the necklace over. “Great-Grandmother told me the amulet was blessed by the Crocodile God himself and would protect me from his creatures.”

Bek chuckled, holding the tiny figurine in his large meaty hand. “Mighty protection indeed.” He momentarily closed the pendant in his fist, then tossed it to her with a slight bow. “Nonetheless, you shouldn’t take such chances. Crocodiles are crafty and fierce.”

Cover by Fiona Jayde

PRIESTESS OF THE NILE (GODS OF EGYPT)

Drawn to his abandoned temple on the banks of the Nile by an enchanting song, Sobek the Crocodile god is even more captivated by the sight of the singer herself. Appearing to her as a man, he learns she is Merys, a descendant of his last priestess. Though filled with lust, Sobek believes Merys deserves to be more than just his mistress. But the rules that govern the Egyptian pantheon forbid anything beyond a physical joining of a Great One and a human.

Merys is attracted to the handsome stranger, who arouses passions in her that no man ever has. But with no dowry and no hope of ever leaving her village, she dares not dream of the future—or love.

Sobek takes every opportunity to visit Merys, taxing his resolve to leave her untouched. And when he saves her life, their mutual desire must be sated. But can a love between a human and an immortal survive the ultimate test of the gods?

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HQN does retain the rights to the audiobook.

Audiobook: Amazon or iTunes 

And my most recent release set in ancient Egypt:

Why I Wrote DANGER ON THE NILE

While science fiction romance is definitely my first love as an author/reader, I’ve been fascinated by ancient Egypt since childhood, when I read Mara, Daughter of the Nile by Eloise Jarvis McGraw. I try to write one new book in my connected Egyptian series each year and find it to be a useful creative pause from SFR. The muse likes to explore other topics every now and then!

I’ve had one scene from my new novel DANGER ON THE NILE in my head for years. Decades maybe even. It’s a dramatic chariot scene in front of the abandoned fort where the characters take refuge from invaders. But that was it, vivid as it was. No other plot, no backstory, nothing. Eventually I got another scene in my mind, which is the opening with the priestess Mayet and her desperate flight from the temple. Then I literally woke up one morning this year and had the entire plot in my head, ready to go.

Any time I get a gift from the muse that involves an entire book ready to be written, I sit down and I do that. So I set aside my next scifi romance and dove into ancient Egypt. I got to research all kinds of things from ancient forts to border disputes in the 1500 BCE era to dolls of the time and I wrote. Over the years I’ve researched many of the worldbuilding details of my books and can use what I learned previously in each book. I also based some of the descriptions of a certain old bed on my own up close inspection of King Tut’s bed when the traveling exhibit from his tomb came to LA.

It was so much fun and really refreshing to the writer in me to be back in ancient Egypt. Of course this is my paranormal version – since I wanted the gods to be involved in these novels I couldn’t exactly go the historical romance route and I like the freedom of introducing a few details that might or might not be accurate. And leaving out other things!

I’ve been wanting to write a five book series about the grown children of Nima and Kamin, from DANCER OF THE NILE and RETURN OF THE DANCER OF THE NILE, because they’re one of my favorite couples (but this book is a standalone) so the dashing charioteer/diplomat/military man hero of the book is their oldest son, Khay. Next up in this series I might write the book I’ve had percolating about his sister, who is a librarian at Pharaoh’s palace but we’ll see what the muse is in the mood for.

While I was writing the book at least two other solutions to the dire situation my main characters find themselves in occurred to me but since I wanted the goddess Isis to be heavily involved, I had to reject those helpful ideas from the subconscious.

Fiona Jayde, my cover artist, and I decided to go in a completely different direction for the covers on this five book series and follow the trend of using objects rather than people to catch the eye and draw the reader in.

And now I find my mind turning over sequel ideas for Sati, a charming young supporting character you’ll meet in the novel. Whether I’ll ever write her book, who knows but it’s fun to ponder.

Wishing you health, prosperity and long life, and happy reading if you decide to delve into DANGER ON THE NILE  or any of my ten other books set in the time frame.

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DANGER ON THE NILE (CHILDREN OF FATE) by Veronica Scott

1550 BCE. Mayet is a newly appointed priestess at the temple of Isis in a southern Egyptian border town. When enemies attack the city, she must flee alone with a sacred effigy to keep the invaders from claiming it and using it for their own magic rituals. Joining with other refugees from the stricken city, she has to hide the statue from curious eyes and comfort her companions as if she was a learned, senior priestess. They all look to her for leadership on their desperate trek north. With the enemy close on their heels, Mayet stumbles over an ancient, abandoned fort, where her party takes refuge. Surrounded and trapped by the invaders, she faces a bleak future.

Khay is a high-ranking Egyptian officer, sent by Pharaoh to negotiate treaties with various southern tribes. He and his soldiers narrowly escape an ambush at the city where Mayet’s temple was located and are on the run from the invaders when he sees the shelter of an abandoned fort. Now he and his men are also trapped inside the stout walls with no food and no hope of rescue. Yet he has no regrets for the priestess leading the refugees is the woman the goddess Isis has shown him in a vision, the one who could become his wife.

Together Mayet and Khay must find a way to bring their people to freedom. Will Isis listen to pleas from such a fledgling priestess? Khay comes from a famous family, smiled upon by other gods – will any of them come to his aid? As the pair struggle to stay alive and save the other Egyptians, attraction grows and unites their hearts. But is there to be a future in this world, or only in the Afterlife?

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The other books in my world of ancient Egypt:

Close the Door Weekend Snippet

(Pssst: I currently have a mega sale on my Badari Gladiators boxed set, books 1-3 – just $.99!!! Check it out below the post – scroll all the way down.)

I’m switching to my newly released paranormal romance DANGER ON THE NILE!

The excerpt, from close to the beginning of the book. Mayet, a new priestess, is in the inner sanctum of the temple, cleaning the altar: 

The sound of the heavy door opening caused Mayet to spin with a gasp. She wasn’t finished yet—the high priestess was early. Punishment for disappointing the goddess would be swift and Mayet would walk in pain for several days after the whipping she knew would be meted out. Or perhaps the priestess would be more merciful and spare the rod but put her on bread and water for a few days.

But the door seemed to be stuck, opening only a small way and Mayet heard whoever was at the entrance breathing heavily, almost gasping. She rushed to the portal, finding the high priestess clinging to the locking mechanism, her dress stained with blood, her wig askew and her eyes wild. Her elaborate makeup was smeared and the kohl left tearlike marks on her cheeks.

“Help me, child,” Inu said in a weak voice.

“What happened, my lady?” Trembling, Mayet supported the other woman and half carried her to the closest surface where she could sit. She glanced at the door, worried about the sounds drifting in from the outer temple area. Shouts, screams and the clang of metal. Swords? Here?

“Close the door quickly,” Inu said, slumping against the wall, smearing blood across the vivid paintings of the goddess in her garden as she moved.

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DANGER ON THE NILE (CHILDREN OF FATE) by Veronica Scott

1550 BCE. Mayet is a newly appointed priestess at the temple of Isis in a southern Egyptian border town. When enemies attack the city, she must flee alone with a sacred effigy to keep the invaders from claiming it and using it for their own magic rituals. Joining with other refugees from the stricken city, she has to hide the statue from curious eyes and comfort her companions as if she was a learned, senior priestess. They all look to her for leadership on their desperate trek north. With the enemy close on their heels, Mayet stumbles over an ancient, abandoned fort, where her party takes refuge. Surrounded and trapped by the invaders, she faces a bleak future.

Khay is a high-ranking Egyptian officer, sent by Pharaoh to negotiate treaties with various southern tribes. He and his soldiers narrowly escape an ambush at the city where Mayet’s temple was located and are on the run from the invaders when he sees the shelter of an abandoned fort. Now he and his men are also trapped inside the stout walls with no food and no hope of rescue. Yet he has no regrets for the priestess leading the refugees is the woman the goddess Isis has shown him in a vision, the one who could become his wife.

Together Mayet and Khay must find a way to bring their people to freedom. Will Isis listen to pleas from such a fledgling priestess? Khay comes from a famous family, smiled upon by other gods – will any of them come to his aid? As the pair struggle to stay alive and save the other Egyptians, attraction grows and unites their hearts. But is there to be a future in this world, or only in the Afterlife?

Amazon     Apple Books     Kobo     Nook     GooglePlay

My other ancient Egyptian paranormal romances…

BADARI GLADIATORS BOOKS 1-3

I’ve bundled my three gladiator books into a box set and put it on sale for $.99 this month! Of course I’m hoping if readers like my gladiators they’ll want to read the ongoing, original Badari Warriors series too. And if you’re already a fan of one or both series, THANK YOU SO MUCH!!!

This Badari Gladiators box set gathers the first three science fiction romance novels from this series into one collection. Featuring genetically engineered soldiers of the far future, the Badari were created by alien enemies to fight humans. But then unscrupulous lab techs faked the deaths of a few men, smuggled them off the planet in cryo freeze and sold them to be gladiators. They meet their human fated mates in alien arenas and must fight to save themselves and their mates. Kyden is a Generation Five Badari whereas the main characters in the long running series are from a later time and are Generation Eight. This new series stands alone and you don’t have to have read any of the other books to enjoy this one. I couldn’t resist the temptation to tell a few other Badari stories, set in the galaxy’s Hinterlands, and who can resist gladiators? Please note each novel has been previously published on its own and all are standalone tales. No new material has been added, aside from a brief Author’s Note about why I wrote each novel.

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Favorite Scene Friday Summoning the Snake Goddess DANCER OF THE NILE

One in a continuing series of occasional posts talking about a personal favorite scene from each of my books. It may not be my most favorite scene, since that would probably involve spoilers, but I thought it might be fun.

I’m working my way through my backlist pretty much in the order they were published so the next book is DANCER OF THE NILE and this couple – Nima the dancer and Kamin the Egyptian soldier – are two of my all time favorite characters. I have any number of scenes I relished writing in this novel but for today I’ll share the one where they’re on the run from their enemies and have to ask for help from Renenutet, the Snake goddess.

New cover SEPT 2019

The scene:

“Renenutet is a goddess of grain and harvests. Bread is the closest to a proper offering we can get on this rock.” Holding the bead carefully, Kamin rose and walked to the edge of the rock shelf, checking on the hyenas. A chorus of shrieking sounds rose as he peered over the precipice. “Still prowling. I have no real hope of their giving up and slinking away.”

“Sounds like they’re laughing at us,” Nima said, rubbing her bare wrist. “Like demons, enjoying our predicament. What do we do now?”

Setting the bread in the sunniest spot on the rock, Kamin laid the bead in the center, pushing it into the soft bread and coiling the broken ends of the black thong in a circle. “I need one drop of your blood, sweetheart, so the Great One hears the call through your bond with her—”

“I keep telling you there’s no bond, no link, nothing.” Nima held out her hand, closing her eyes. She gritted her teeth. “Go ahead, prick my finger.”

Nothing happened. Puzzled, braced for the pinprick, she opened her eyes to find Kamin oddly hesitant. Bewildered, she studied his face for a moment. “What?”

Pointing the knife at her ankle, he explained his insight. “I’m thinking a drop of your blood from where the hyena bit you might be better. Then the goddess would be aware of the black magic as well.”

Nima picked at the edge of the bandages he’d just applied. “You have a certain grim logic to this insane idea, soldier. Should I be concerned how much you know about black magic?” Removing the makeshift bandage, she gazed at him with a furrowed brow and wrinkled nose.

Wincing in obvious sympathy, he studied her foot as the bandages fell away. ”I’ll try not to hurt you.”

“The whole foot hurts and throbs, so don’t worry about one more prick.” She shut her eyes tight as he gently touched the tip of the knife to one of the angry, long, red slashes left by the hyena’s fangs and got a few drops of her blood on the blade. The black lines had not progressed much further up her leg, for which she was grateful, but they were a jarring, disquieting occurrence nonetheless.

Sharp pain for a brief moment, then Kamin stood. “I’m done. Cover the wound up again.”

Hastily, she wrapped the cloth over the gashes and bruises, tying a neat little knot.

As Kamin moved the knife slowly over the bead, Nima watched first one then two drops of the ruby blood fall onto the raised snake on the bead’s surface. The red ran to cover the entire bead without dripping off the edges. Kamin laid the knife aside and spread his hands out, palms up. “Great One Renenutet, we pray most earnestly for you to send us thy servants, the black cobras of the rocks, to kill the hyenas waiting below. The beasts were released to hunt us by priests of Qemtusheb, ruler of demons and enemy of Egypt. We ask for the one intervention Nima’s mother begged for, when she left your service so many years ago. Our need is dire, and Egypt’s fate may rest on our shoulders.”

Eyebrows raised, hand extended toward her, he nodded expectantly.

Pure panic froze Nima’s vocal cords for a moment. I don’t know any chants! What does he want me to add? She swallowed past the lump in her throat, licked her lips. “Please, if my mother meant anything to you, as a dancer, as your priestess, help Kamin and me now,” Nima said.

Riding the thermals overhead, the falcon let out a fierce cry and flew into the glare of the sun as she raised her head to watch him.

A thin tendril of black smoke spiraled from the bead. Kamin half lifted Nima away from the spot as first the bead, then the bread burst into angry purple-black flames. Writhing in the fire’s grasp, the leather thongs grew, splitting in two then splitting again, lengthening, fattening and spreading beyond the circle of the offering, in a tangle of tails. Nima screamed as eight black cobras raised their heads from the center of the fire circle, sinuously weaving and entwining around each other, red eyes gleaming, black tongues flicking. Hood pulsating, a ninth cobra, black like the others but with a golden head, reared four feet off the surface of the rock. The snake extricated itself from the tangle of lesser reptiles, slithering toward Nima, head weaving from side to side.

She scooted over the rough stone, heart pounding against her ribs, mouth dry, dizziness assailing her. Grabbing her by the shoulders, Kamin held her tight. “It’s the goddess, come at our request. Don’t panic now. You’ve got to face her, tell her what we need. Renenutet won’t grant any appeal just from me.” He gave her a little shake. “Falcons and snakes are sworn enemies.”

Plainly listening to his words, the cobra swung its head, studying him for a moment with cold, red-faceted eyes, then hissed loudly and continued to advance on Nima.

She shook in his arms, digging her nails  into him, but met the snake’s regard. “Please, Great One, we need your help to kill the hyenas waiting below, so we can escape before the enemy arrives. We must carry our news to the nomarch so he can defend Egypt.”

Advancing in tiny increments, the snake’s flickering ruby tongue touched Nima’s parted lips, the feathery touch leaving behind spreading coolness, a taste of vanilla and honey in her mouth. Then the goddess retreated, hissing and spitting, and slithered down the rocks toward the pack of hyenas, her minions going behind her like a rippling black brook. Nima collapsed against Kamin, trying to stop herself from trembling.

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DANCER OF THE NILE

2014 Golden Quill Award Finalist

The Story:

Nima’s beauty and skill as a dancer leads an infatuated enemy to kidnap her after destroying an Egyptian border town. However, she’s not the only hostage in the enemy camp: Kamin, an Egyptian soldier on a secret mission for Pharaoh, has been taken as well. Working together to escape, the two of them embark on a desperate quest across the desert to carry word of the enemy’s invasion plans to Pharaoh’s people.

As they flee for their lives, these two strangers thrown together by misfortune have to trust in each other to survive.  Nima suspects Kamin is more than the simple soldier he seems, but she finds it hard to resist the effect he has on her heart.  Kamin has a duty to his Pharaoh to see his mission completed, but this clever and courageous dancer is claiming more of his loyalty and love by the moment. Kamin starts to worry, if it comes to a choice between saving Egypt or saving Nima’s life…what will he do?

Aided by the Egyptian god Horus and the Snake Goddess Renenutet, beset by the enemy’s black magic, can Nima and Kamin evade the enemy and reach the safety of the Nile in time to foil the planned attack?

Can there ever be a happy future together for the humble dancer and the brave Egyptian soldier who is so much more than he seems?

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Favorite Scene Friday The Crocodile God Requires from MAGIC OF THE NILE

One in a continuing series of occasional posts talking about a personal favorite scene from each of my books. It may not be my most favorite scene, since that would probably involve spoilers, but I thought it might be fun.

Cover by Frauke of Croco Designs

The next book of mine, going in fairly chronological order, was MAGIC OF THE NILE. I put a lot of myself into Tyema, the heroine, in terms of the way she suffers from anxiety and what she does about it. They were aware of the problem in ancient Egypt, although they called it something else. She has PTSD (of which they were also aware, although by another name) as a result of events in PRIESTESS OF THE NILE, which was about her older sister. MAGIC can be read as a standalone.

I loved writing Sahure, the chariot-driving hero, I got to put Sobek the Crocodile God into the story, there’s a parade, black magic, a trip through parts of the Afterlife….BUT for today’s post, my favorite scene is going to be the one where Tyema is in Thebes, at a planning meeting for the aforementioned parade, which will end with a ceremony where she provides a giant crocodile to the Theban temple of Sobek. The other participants include the High Priest of Sobek in Thebes, who really doesn’t want to hear input from Tyema, be she a High Priestess herself or not.

(Over the many long years of my old day job, I sure attended enough similiar meetings…although not about crocodiles and parades!)

The scene:

The High Priest of Sobek was easy for Tyema to identify, dressed in layered raiment of white, gold and black, wearing a modified sun-disk headdress, all ten bony fingers adorned with golden rings set with chunky gemstones. He was flanked by five lower priests and a thin, nervous scribe sat close by to record orders. A much older man, the priest had a stern face, small eyes beneath bushy brows, flushed cheeks and thin lips. His wig was elaborately braided and he clutched a tall gilded staff topped with a representation of the god in his crocodile form. His pectoral was a depiction of Sobek as Crocodile, done in turquoise, coral and jet. It was eye catching, but nothing compared to the glory of her gold collar and emeralds.

“Lady Tyema, High Priestess of Sobek in the Ibis Nome,” Edekh intoned, thumping his staff on the floor as if she were royalty.

The under priests bowed but the Theban High Priest merely nodded, his eyes fastened on the Tears of Sobek around Tyema’s neck.  She suppressed a grin at his avaricious stare. He’s jealous.

The door across the room, which only Pharaoh himself could use, opened and Nat-re-Akhte entered the chamber, saying as he crossed the gilded threshold, “No need to genuflect, this isn’t a formal audience.” Today he wore no crown but had the golden uraeus on his brow, held in place by a golden circlet. He carried the blue-and-gold crook and flail of his rank.

She stood aside as Nat-re-Akhte walked past her to his chair, which was a golden marvel, depicting intricate scenes of himself with various gods that were far too detailed for Tyema to fully absorb in one glance. The chair rested on intricately carved lion paws, and was set on a slightly raised dais at the head of the gleaming wooden table. The ever present fan bearers took up station behind Pharaoh and Edekh walked to a place at his right hand.

“You may be seated,” Pharaoh said, placing the crook and flail on the table in front of him. “Which day is going to be the most propitious for this ceremony?” He gave Tyema a conspiratorial smile. “My zoo keeper tells me the beast has already devoured all the fish in his pond and they’ve had to restock.”

“I’ve cast the omens, Great One, and the day after tomorrow is the ideal date for the new ruler of the bask to be presented to the people of Thebes and installed at our temple,” said the High Priest, displaying no hesitation.

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Pharaoh nodded and Edekh made a note. Tyema sat back in her chair as the men discussed the arrangements for the procession. The city officials were also silent for the most part, apparently in the meeting to receive instructions, not to make suggestions. She had no opinion about the parade, the local Sobek priests knew their own city and how to organize things here. Perhaps she would have put the second troupe of dancing girls before the sacred image of Sobek, not after as they were going to do, but Tyema had no feeling it mattered to the Crocodile God, so she only nodded when Pharaoh courteously asked her opinion.

The high priest continued his rundown of the sequence of events. “And when we arrive at the temple, I’ll greet you with the hymn of the seventh hour–”

“After I’ve sung the hymn of the Abundant Nile,” Tyema said. She felt a tightening in her gut, sure now they would be in opposition. He’d rather I played no part in the day’s ceremonies. He probably wishes I’d just sent the crocodile with only old Hotepre the keeper for escort. Well, for that matter, so do I, but the Great One wanted it otherwise.

The older priest cleared his throat for a moment, blinking. Clearly he wasn’t used to being interrupted. “No need for you to exert yourself, I’m sure. It’s one of the older, less well known hymns after all.  You can sing a brief blessing on the bask at the end of the ceremonies, if you wish. Now then, as I was saying–”

“The Great One Sobek particularly enjoys the ‘Abundant Nile,’ since it praises his efforts to keep the life giving waters flowing freely,” Tyema said, cutting across his words, her voice clear. “As he is sending his crocodile to you, personally selected by him, we need to thank him appropriately.”

The men from the Theban temple gawked at her. Color becoming even hotter in his gaunt cheeks, the high priest blew out a breath. “My dear girl, we’re duly conscious of the honor the Great One does us here at Thebes. I merely see no need to slow the tempo of the ceremony with additional music. The crowd will naturally wish to see the crocodile installed in the pond as soon as possible.”

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“As High Priestess, it’s my responsibility to conduct the crocodile to your temple and to make the official transfer in proper order,” she said, not at all abashed by his dismissive manner. When it came to anything regarding her duty to Sobek, Tyema felt as if some measure of his strength ran in her veins, and no condescending old man from Thebes could silence her. “I’ll sing ‘Abundant Nile,’ after which you can sing whatever you feel is most appropriate to accept the gift of Sobek and then we’ll proceed to the pond. Whether our audience is one person or ten thousand people, we must honor the Great One Sobek properly.”

“Well,” Pharaoh said, his voice solemn but his eyes twinkling, “The list of songs is decided then.”

“Duly noted,” Edekh assured him as the palace scribe by his side made rapid inscriptions on his tablet. The temple scribe shot a wary look at his superiors, but then scratched some notes as well.

There was an awkward moment of silence. Pharaoh raised his hand and gestured in a lazy circular motion at the priest. “Continue.”

The man opened and closed his mouth several times before swallowing a sip of wine from the clay goblet his under priest handed him. “Um, yes, um, at the pond, we’ll open the crate–”

“The child of Sobek doesn’t travel through Thebes in a crate,” Tyema interrupted.

“You’re not seriously proposing to have a dangerous Nile crocodile carried loose in the procession, are you?” the old man spluttered.

“Sobek has given me the gift of controlling his children of the Nile when circumstances warrant. I’ll ensure the animal remains calm during the parade through the city, docile until he’s installed in the pond,” Tyema said.

“I’ve seen this gift or power in action, exactly as the Lady Tyema indicates,” Pharaoh agreed.

“It would be most exciting,” said one of the younger priests, enthusiasm causing him to speak boldly, earning himself a glare from the High Priest. “Imagine the effect on the crowds, the crocodile on full display, yet posing no danger.”

“Sobek has selected a magnificent animal to rule over your bask,” Tyema said. “The beast has the rare purple underbelly. It can only benefit your temple to have the people of Thebes behold this marvelous creature, not have him hidden away in a crate.”

“Consequences will be on your head if this goes awry, if the beast causes injury,” the old priest said, his eyes flashing in anger. He bit his lip and glanced at Pharaoh, seeming to regret his outburst.

Tyema laid a hand on the collar, touching the emeralds. “Where’s your faith in Sobek, the god we both serve?”

“Any other concerns?” Pharaoh asked the high priest, his tone mild.

“No, Great One. I’m satisfied with the arrangements,” he said, sounding as if he was forcing the words out one by one.

“I’ll need to inspect the pond,” Tyema said, tapping her fingers on the table as she mentally reviewed her list of requirements. “I’m sure all your arrangements are in order, but I can’t bring Sobek’s gift to you with all the pomp and ceremony, only to find some problem in front of Pharaoh and the crowds.”

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Now she thought the old priest was going to have a full-on fit, especially as Pharaoh was nodding agreement with her. “Excellent forethought, Lady Tyema,” the ruler said. “Captain Sahure can conduct you and your crocodile keeper to the temple tomorrow morning, leaving the afternoon for any repairs or alterations to be made. On the appointed day, the palace will provide the usual beer, bread and meat for the afternoon feasting after the procession in honor of Sobek. Edekh will see to the distribution.” He rose, signaling the end of the meeting, and swept out of the chamber.

Edekh remained, moving closer to Tyema as the high priest came around the table at her. Shaking a finger in her face, the man talked so fast he was spitting. “There’s nothing wrong with my temple’s pond, girl, and I don’t appreciate your trying to embarrass me in front of Pharaoh by suggesting there is.”

The priest who’d agreed with Tyema before put a restraining hand on his elder’s arm. “I don’t think anyone took her words as carrying intent to insult, sir. The lady is being prudent, cautious with the Great One’s living gift to us.”

“Sobek gave me the responsibility for his crocodile and I don’t take it lightly,” Tyema said. “I can’t.”

“Some little nobody from the country, trying to make a place for herself here, no doubt,” the High Priest blustered on.

“I’ve no desire to live here in Thebes. Running my own temple and managing my own concerns keeps me fully engaged,” Tyema answered, her voice sharp. She leaned toward him. “I speak directly to the god, to learn his will and desire. Surely you do the same?”

The priest blinked, opened and closed his mouth like a floundering Nile perch, and sat down in the nearest chair, guided by his underling.

MAGIC OF THE NILE: standalone sequel to PRIESTESS OF THE NILE.

Hearts Through History Romancing the Novel Winner

Gayle Wilson Award of Excellence Finalist

Carolyn Readers Choice Award Finalist

The Story:

She’s a priestess, he’s a proud warrior … is love enough to bridge their differences?
When the high priestess of an Egyptian temple falls in love with a captain of the royal guard, their bond is tested by the intrigue and peril of their duties to the gods and Pharaoh.

Tyema serves Sobek the Crocodile God as High Priestess of his Nile river temple. But despite her beauty, grace, and the power she wields, the shy priestess lives as a recluse in the remote temple grounds. For though Sobek rescued her from a childhood of abuse and neglect, and healed her crippled foot, her dark past haunts her still.
When Sahure, a dashing captain of Pharaoh’s guard, arrives to ask her help for Pharaoh, Tyema’s wounded heart blossoms. The captain is captivated as by her well … until Pharaoh orders him to the dangerous frontier, far from Tyema. He rides away, bound by duty and honor, leaving Tyema with even more secrets to bear.

Heart-broken, Tyema returns to her lonely life … until the Crocodile God reveals other plans for his priestess. For Pharaoh’s life is threatened with black magic, and only one who wields the power of a god can unmask the sorcerer. Tyema must brave court life, and somehow withstand the pressures of swirling gossip, intrigue and danger. And she must hurry, before ancient evils overcome all her efforts.

But when Sahure returns, is he there to help or to hinder? Will love lead them to common ground, and a future together … or will their differences tear them apart forever? Find out in this exciting sequel to PRIESTESS OF THE NILE!

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Background and Exclusive Excerpt THE CAPTIVE SHIFTER

captive shifterVeronica: From my visit last week to the blog of Jeffe Kennedy , my friend and an author of amazing fantasy romance (and other genres) herself, who hosted me on my blog tour for The Captive Shifter. I gave her an excerpt I haven’t shared anywhere else.

Reblogged from Jeffe’s page:

Jeffe: Hey everyone! I have a special treat for you today. No, not a new fantasy romance from me – though I’m working on it! But my good friend Veronica Scott has taken a break from her stellar science-fiction romances and brought a new fantasy romance into the world for our delighted consumption.

I’m happy to have her guest post here today. Take it away, Veronica!

*  *  *

Thank you so much for having my as your guest today! And congratulations on the RWA RITA nomination for Pages of the Mind, one of my favorite books.

Before we get to the exclusive excerpt, a bit of background about my new release, The Captive Shifter (Magic of Claddare Book 1. This novel is my first foray into writing fantasy romance, featuring witches and shifters in an alternate world. I actually wrote the kernel of the story back in 2010, as my first attempt to sit down and seriously aim for publication, versus ‘just’ telling stories for myself and my family to enjoy. Along the way, I got sidetracked from this manuscript by a submission call from Carina Press for romances set in the ancient world and ended up publishing Priestess of the Nile with them. That book had paranormal and fantasy elements and sent me down a path of writing more stories in the Gods of Egypt series (no relation to the awesomely awful movie of the same name!). At the same time I self-published my first science fiction romance novel and really found a home in the SFR world. So much so I’ve concentrated primarily on that genre ever since, with a few forays to ancient Egypt along the way.

But The Captive Shifter was always there in the back of my mind because I really loved the characters, Kyler the leopard shifter and Caitlyn the witch. Periodically I’d return to working on the story and had sent it to my freelance editors, so by this year it was 90% ready to go. When my current SFR novel experienced schedule delays in editing, I thought this was my perfect moment to finish the final edits on Shifter, get a gorgeous cover from Fiona Jayde and see if readers might enjoy my venture into fantasy romance. I have all kinds of sequels lined up in my head, depending on whether there’s a demand from anyone other than myself to know more about the magical world of Claddare and its people.

The story:

Concealing her own considerable magical powers, Caitlyn enters the service of the northern Witch Queen masquerading as a simple healer. Under order from her goddess, she’s searching for a magical gem stolen long ago from her own people, believed to be hidden in the massive castle. The task is daunting but Caitlyn is sure she can locate the gem and escape, bringing the prize back to the temple where it belongs. Until she meets the captive shifter and her loyalties become dangerously divided.

In payment for her past services to his people, Kyler the leopard shifter has entered into a life of servitude far from his forest home, allowing the Witch Queen to tap his magic to power her ever darker spells. Factions at Court are threatening to turn the Queen to the Shadow. Her increasing demands for magic will cut short his nearly immortal lifespan. Kyler’s resigned to his fate until the day he crosses paths with the new arrival, whose secrets and magic entice and attract both man and leopard. Has he met his mate at last?

The Queen will never willingly release him from captivity. Caitlyn’s goddess refuses to grant her any delay in accomplishing her own task. Can they locate the magical gem, fight the Shadow and win free of the Witch Queen to earn the right to be together?

The excerpt – Cailyn’s first experience with how magic is practiced in the Witch Queen’s city and how Kyler the Shifter is required to lend his support to the spell casting. As a man, he lies drugged in the center of the altar sands:

The princesses began a new chant, slowly dancing around the altar counterclockwise. Power sparked and flared, spewing purple and red starbursts in the air. The apprentices sang a capella, weaving a counterpoint to the song. Caitlyn mouthed the words, not giving them voice, certainly adding no magic. Hot anger suffused her entire body, watching Kyler used as a source of power for the purposes of others. Her heart hammered in her chest so hard she was amazed no one heard the pounding….

Veronica: You’ll have to hop over to Jeffe’s page to read the rest of this exclusive excerpt, or of course you can buy the book, which is available now :).

Buy Links:

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